The long awaited Huge - in which Lucy plays a character called Andi - is to get it's premiere screening at the Raindance Film Festival 2010 on 2nd October 2010 at 18:45. The running time for the film is 80 minutes.

The film, co-written and directed by Lucy's Moving Wallpaper colleague Ben Miller, stars Noel Clarke (Doctor Who) Johnny Harris and Thandie Newton in a story about about a feuding double act trying to make it in the cut-throat world of stand-up comedy.

The film is to get a repeat screening on Wednesday 6 October 14:45, Screen C, Apollo Cinema Piccadilly Circus, 19 Lower Regent Street, London.

To book tickets, please call 0871 220 6000 or visit the Raindance Film Festival website to book online.

Huge is a bittersweet drama about a feuding double act trying to make it in the cut-throat world of stand-up comedy. After successfully (and unintentionally) getting a few laughs out of a crowd at a small venue, aspiring comedian Warren (Johnny Harris) and local funny-man Clarke (Noel Clarke) decide to form a double-act in the vein of Morecambe and Wise.

Huge is a film that, despite being marketed as a comedy and focusing on two aspiring stand-up comedians, works far better from a dramatic perspective. Though there is a lot of humour in the film, much of it derived from the discomfort of reality; the sharply scripted picture shines brightest when exploring the delusions and the inner angst of protagonists Warren and Clarke. Warren, in particular, is a fascinating character whose many contradictions go some way to making sense of his unpredictable, sometimes unexplainable actions. Johnny Harris is excellent at conveying the extent of Warren’s self-deception and has a brilliant rapport with Noel Clarke who turns in a fascinating performance. Though many of the beats that both actors hit are primarily dramatic, they also thrive in a fantastically executed comic sequence in which Thandie Newton gloriously hams it up. Writer/Director Ben Miller’s greatest success, however, is the film’s interesting aesthetic; the vividness of the colours subverts the bleakness of the story.  Set and costume designs provide further context and support to the character’s contrasting expectations and failures. Huge is as much a heterosexual romance as anything else and it’s actually a damn good one.